We Are Artists celebrates the life and work of 15 female artists from around the globe and the distinctive mark they made on the art world and beyond. Presented as a collection of engaging biographical narratives, We Are Artists reveals how each artist's unique approach and perspective provided the art world and society at large with a new way of seeing things. It places the sp...(展开全部)

迈克尔·派伊（Michael Pye），历史学家、小说家、记者，英国报纸的政治和文化专栏作家。他著有十几本书，其中有几本是他的得意之作，如The MovieBrats、The King Over the Water、Maximum City、The Drowning Room，还有被改编成电影的同名小说《机动杀人》（Taking Lives）。 宋非，自由译者，译有《佩拉宫的午夜：现代伊斯坦布尔的诞生》《无情的革命：资本主义的历史》。

Michael Pye's The Edge of the World is an epic adventure: from the Vikings to the Enlightenment, from barbaric outpost to global centre, it tells the amazing story of northern Europe's transformation by sea. 'An utterly beguiling journey into the dark ages of the north sea. A complete revelation . . . Pye writes like a dream. Magnificent' Jerry Brotton, author of A History of t...(展开全部)

Two summers ago, scientists removed a tiny piece of flesh from Philip Ball’s arm and turned it into a rudimentary “mini-brain.” The skin cells, removed from his body, did not die but were instead transformed into nerve cells that independently arranged themselves into a dense network and communicated with each other, exchanging the raw signals of thought. This was life—but whos...(展开全部)

Two summers ago, scientists removed a tiny piece of flesh from Philip Ball’s arm and turned it into a rudimentary “mini-brain.” The skin cells, removed from his body, did not die but were instead transformed into nerve cells that independently arranged themselves into a dense network and communicated with each other, exchanging the raw signals of thought. This was life—but whos...(展开全部)

A chronological introduction to women artists throughout history, this book provides a rich understanding of key female artists from the Baroque to the present day. In 1971, in an essay that has now become one of the touchstones of feminist art history, Linda Nochlin raised the question heard round the world: “Why have there been no great women artists?” Since the 1970s, as a r...(展开全部)

塞缪尔·亨廷顿，哈佛大学阿尔伯特·魏斯赫德三世(Albert J.WeatherheadⅢ)学院教授，哈佛国际和地区问题研究所所长，约翰·奥林战略研究所主任。曾任卡特政府国家安全委员会安全计划顾问，《外交政策》杂志发起人与两主编之一，美国政治学会会长。有大量学术著作及论文 问世。